I
sit staring at a black television screen, stunned to silence. It’s so quiet
in the room yet my ears are echoing with the sounds I’ve just heard. My
body is slouched and I can’t do anything but take a deep breath and compose
myself. I have just watched the most haunting and touching visuals I have
ever seen and am recovering from what I have just been exposed to.
A black and white film
with Indian cinema’s greatest living legend proclaiming he is Vijay, Anthony,
Iqbal and also goes by the name of Amitabh Bachchan. “I am an Indian,” he
states looking straight into the camera as visuals begin fading in and out
with a haunting background score. Visuals of burning bodies from the Gujerat
riots and of persecuted people who have suffered as casualties of violence
flow in and out of focus, text appears against the black background and
Amitabh’s inimitable voice penetrates the screen: “A crime against one Indian
is a crime against all of India”. In the next second images flash by of
stars such as Raveena Tandon, Sachin Tendulkar, Abhishek Bachchan, Harbhajan
Singh, Zakir Hussain, Fardeen Khan, Akshaye Khanna and others stating they
are Indians. The short film ends repeating Amitabh’s statement and then
cuts back to him in black and white addressing the viewer. “Stop these crimes.
How can we do this to each other?” Fade to black, a logo emerges from the
darkness like smoke from thin air: Stop the Hatred.
This is just one of
the few ads I have just witnessed that has left me stunned. The others
feature Zakir Hussain stating how when music and lyrics have no religion,
then how can tears have a religion, and Aamir Khan and Ashutosh saying:
“So many crimes are carried out in the name of belief. Will any God of
any religion ever forgive such atrocities? Make humanity your belief system.”
Sachin Tendukar features in another and another has a medley of many.
This campaign is called Stop the Hatred and is aimed at putting a halt
to the inbred hate that is destroying secular India and is seeping through
to many cultures and societies worldwide. A direct reaction to the Gujerat
riots where many were massacred, the ads use images so familiar from the
time, yet cannot explicitly refer to the incident without upsetting the
Government.
I’m handed a cup of
tea and 29 year old Rohena Gera looks at me asking if I’m ok. Young, beautiful,
wide-eyed and with a striking look of innocence about her, Rohena is the
person who is responsible for the campaign. She’s not a hired filmmaker
working to a brief or someone being paid to shoot the ads, she’s merely
someone who could not stand to watch what was happening and did something
about it. She is what we would term a real hero, and she is about to touch
the world just as she has me, with a campaign that is so powerful it will
bring tears to your eyes.
“The goal of this campaign is to counter the hate propaganda that is being
disseminated so efficiently throughout the country. The point is not be
controversial or to fight any political party or personality but to simply
reach out to the people and try to stop this epidemic of hatred. Today,
Indians - men and women, old and especially young - need to hear that
we are one people, and that most of us can and do live as one,” she says
as we sit discussing what she’s just showed me.
This
is an ordinary young woman’s journey since her decision not to just sit
tight and accept what was going on in a place that was fast becoming void
of humanity. This is how Rohena Gera brought to life a campaign that will
change the world.
“One
tiny idea...” “I
was unable to deal with what was going on the way some others were. It
was too horrific and too real for me to accept and just sit there. I thought
I just have to do something and thought what if we could get people to
say something that projects the image of the other side. Something that
actively works against the propaganda that is being spread, so it started
from there: one tiny idea.”
“The Long Drive that Changed Everything..” “It was May 9th and
a bunch of us were taking a long drive to the Taj in town and these questions
were just in my head and I kept saying ‘what if I do this?’ and then we’d
talk about something else and then I’d go back to it again, so it was
constantly on my mind. The whole way I was thinking about it and saying
what if we get these influential people and do this.”
“The Road Ahead” “I spoke to people and initially I did get feedback
saying it’ll never happen because these people are extremely vulnerable
because they are recognised people. The Government is not very kind to
people who take a stand against it, so I was told I had to be careful
what to expect of people and what I could I ask them to do and the extent
to which I could ask them to stick their neck out.”
“Decision Time” “I thought about it and just decided I had to do
it and do it on my own so it remained free of vested interests. I had
no experience of production and had no credentials and wasn’t part of
any NGO or governmental body so had a lot working against me, I had to
literally go up to these people and say this is what’s happening and …just
beg!”
“One Voice” “And that worked fine, people listened and related
because I was just a concerned person who felt something needed to be
done. It was something no one could ignore because you were reading about
it in the papers everyday and everyone was shocked but no one felt they
could do anything about it. I found that one by one people listened and
were totally supportive. I spoke to Abhishek first and he was very responsive
saying ‘yeah you’ve got to do this, it needs to be done’ which helped
me a lot and gave me encouragement, and it stemmed from there.”
“All I Want is Five Minutes..” “All I was asking them was for literally
five minutes and even that too wherever they would be. It was the kind
of thing that was literally asking them to do something that would not
take too much of time, is helping a cause they feel very strongly about
and also was not just paying lip service because many of them are secular,
it doesn’t matter what religion you are. Some of them were relieved to
be able to do something for an issue they felt strongly about and believed
in.”
“Hope” “The most memorable of the people I approached was Aamir
and Ashutosh probably because they sat and gave me a lot of time and heard
me out and their approach to it was amazing. The sincerity they showed
was very encouraging, because they were in Bhuj too and so they had been
to Gujurat so perhaps they felt more strongly. Their genuineness and sincerity
just struck me and gave me hope.”
“First Response” “Most of the reactions were like yours which was
a lot of silence, which I now know is a good thing because it shows the
message is getting across somewhere.”
“The
Online Campaign: www.stopthehatred.com ” “I
got a lot of feedback through the website which was great. The site was
set up to make the ads accessible to the Indians abroad and an international
audience, so it’s good to get a lot of comments from abroad. People from
Muscat, Dubai, New York and all over India were all writing expressing
support or asking questions which was interesting. It was as if people
had found some sort of hope to hang on to.”
“Shooting Mr Bachchan”
“After Mr. Amitabh Bachchan had agreed to shoot with me, I was doing mental
cartwheels, because I know what he means to people. If he said something,
people would listen, but, I had to shoot with him soon because he was
scheduled to leave town for over a month in less than a week.”
“His secretary, Rosy asked me to shoot him on the sets, so I arrived at
the Kaante sets with my crew. I had butterflies in my stomach - to be
shooting for the first time in my life and that too with the Mr Bachchan!
He had arrived and was in his make up room. So my production manager Husain
went about trying to wangle a quiet place to shoot. Suddenly, I saw Mr.
Bachchan emerge from his room, and speak to Sanjay Gupta, the director
of Kaante. Then, while I watched, Mr. Bachchan left. He had just got a
message that his father was unwell, and he had to go home. The Kaante
shoot was packed up, and so were we. This was Day One of the Stop the
hatred shoot.”
“Mr. Bachchan’s secretary was quite prompt to reschedule, and so I returned
to the same location a few days later to shoot with him. He was on the
sets so I went to meet him just to let him know that we would set up and
wait for him and he looked at me and said: “What are we going to do about
this?” - He had a beard for the film…and we couldn’t shoot with him with
a beard! Once again, we would have to reschedule.”
“Finally, the third time, I was asked to come to the JW Marriott hotel.
I was at madh island, at about nine at night, waiting to shoot with Raveena
Tandon, when Rosy called and told me we could shoot the next day at noon.
Mr. Bachchan was going to be shooting stills for a Parker Pens ad. It
sounded good…until I realised that the Marriott charges large fees to
allow people to shoot. I started making frantic calls: was there someone
who could get the Marriott to write off the location charges…?”
“The next day, I landed up at the Marriott lobby at 9.30 in the morning,
begging the PR director Lianne Branganza to let me shoot. She was very
nice but she said she couldn’t help it. Every single space was taken.
Finally, after pacing in the lobby for two hours, she managed to get us
a room which was opposite the room that would be used by Mr. Bachchan
for his make up. We got to the room and started setting up but then, we
plugged in some lights and it tripped. Obviously a hotel room is not equipped
to bear the load of those lights!”
“Anyway, after a little more panicking we managed to pull power from another
room, and got set up. Mr. Bachchan arrived. He called me to his make up
room and I went there, afraid that there was going to be some other problem.
But he just said…“I’m wearing a suit for the Parker shoot but I would
like to wear a Pathan suit for yours. What do you think?” I babbled something
between “excellent, yay, and whatever you want,” and went back to wait
for him in the next room. I finally got the shot and things just got better
from there on.”
“What
people can do” “I hope people will talk about it, that’s the best
thing they can do. I feel people should realise that it’s not okay to
say “I have nothing against Muslims but I wouldn’t keep a Muslim servant
in my house” and things like that. I’ve got t-shirts made which I hope
look cool enough for people to wear and will become a trend that will
subconsciously spread the message. They were made and given to Hallmark
to be sold for proceeds to go to Action Aid, so we have two designs a
unique black one for girls and this white one for boys with two different
collar styles.”
“The Impact on people” “See there’s some people you can impact
or raise questions with and those are the people who are willing to listen
and are fence sitters. I mean there’s those who are so far gone in this
way of thinking that they won’t turn back or be open to anything new,
but the youth will and they don’t have to inherit the prejudices that
exist in certain sections of society, and that’s who I’m targeting. I
don’t know if it will have a huge impact but I believe as a society that
voice needs to exist and even if one person listens and takes note then
it’s all that’s needed.”
“Stop The Hatred” “The point is to reach out to people and say
that we can and do live as one. You do… because in all likelihood, whatever
community you belong to, you love Amitabh and Aamir, or cheered for Yuvraj
and Kaif, or have sung along with Javed Akhtar’s lyrics in Lata Mangeshkar’s
voice... So, why the hypocrisy?”
Check out the ads for yourself and support the campaign (which is showing
in cinemas and television channels across India), by logging on at
www.stopthehatred.com .
The ads are showing in 239 cinemas nationwide and on all television channels
that are members of the Indian Broadcasting Foundation.